Visual Art
Animal Kingdom

Animal Kingdom

Anne Arnold Humanizes the Wild The sculptures of Anne Arnold, on display at Alexandre Gallery, are so masterful—so pointed and witty, economically configured and nuanced—that you can’t help but wonder: Why has it been 24 years since this artist was last graced with a solo exhibition? Read the accompanying catalogue Anne Arnold: Sculpture from Four...
Moga Better Deco

Moga Better Deco

Japan Shapes 20th Century Art and Culture Sometimes the best way to get at a culture is to smash it up against a disparate element, or encase it in a seemingly alien time frame, seeing unexpected elements in each, even redefining each. So it is with Art Deco, and Japan, a yoking you never thought...
Vuillard Confidential

Vuillard Confidential

Master of Intimism Gets Intense Long gone, I hope, are the days when the French painter Édouard Vuillard (1868-1940) was pooh-poohed as being insufficiently radical or, if you prefer, overly bourgeois—as if art steeped in domesticity and comfort somehow precluded pictorial innovation. If Édouard Vuillard: A Painter and His Muses, 1890-1940, an exhibition at the...
Colors That Speak

Colors That Speak

From Classics to Lloyd Martin Michael Rosenfeld Gallery’s busy and exuberant installation of works on paper (…On Paper) reflects the sheer diversity of American art in the 1940s through ’70s. The three dozen drawings, collages, mixed media works and paintings on paper cover a lot of ground—everything from Gaston Lachaise’s breezy line drawing of a...
Tennessee’s Quiet Storm

Tennessee’s Quiet Storm

Transforming the Classic ‘Streetcar’ Nicole Ari Parker has a triumph in A Streetcar Named Desire that our mainstream media and the cli-quish Tony Awards are ill-equipped to handle. Parker’s ravishing, statuesque presence and intelligent skill make the play what it always ought to have been: a genuine contest between America’s sexual and political hypocrisies; social...
Trompe Liu

Trompe Liu

Capturing Artists in the Midst Liu Bolin, the “invisible man,” uses photography to turn himself into a ghost. Liu’s“Lost in the City” series shows the artist blending perfectly into cityscapes in his native China; another series shows Liu Lost in New York. He’s recently gone in a new direction with his “Lost in Fashion” series,...
Keep on Truckin’

Keep on Truckin’

Jade Townsend’s “Beastly” Installation Jade Townsend’s new body of work, entitled “Leviathan,” is a challenging show to get one’s arms around.  Upon entering the Lesley Heller Workspace on lower Orchard Street, the viewer is faced with two choices: Option one, to the right is the lower half of a human mannequin with a giant red...
Skin Storm

Skin Storm

Naughty Naked Nude Controversy at The Met By Mona Molarsky Do women have to be naked to get into the museum? The Metropolitan Museum of Art’s latest photo show suggests that—in 2012—the Guerilla Girls are still on target. Naked Before the Camera, at the Metropolitan Museum of Art, is presented as the history of the...
Father Issues

Father Issues

Max Ferguson Honors His Elder  Max Ferguson has spent his life painting scenes of New York, particularly older areas of the city like Coney Island and the disappearing mom-and-pop shops. Largely autobiographical, his works usually depict himself or his father. In his evocative exhibition Painting New York—From Jerusalem, he shows 30 paintings that he has...
What’s Left of Diego Rivera?

What’s Left of Diego Rivera?

A revisionist look at a political painter Art is nothing if not revisionist in that it demands that we look, and then look again. That’s a fancy way of saying there’s a new fat man in my aesthetic life I had dismissed—not so much for his girth as for his perceived misogyny. I am not...
Noir Universe

Noir Universe

Alex Prager paints pulp fiction If you like your art and cinema on the pulp side, I highly recommend you cakewalk over to Yancey Richardson Gallery to see the latest Technicolor noir dreams of Alex Prager. This exhibition marks the debut of her newest film, La Petite Mort, and an accompanying exhibition of photographs entitled...
How Odd is Odd—and Francesca?

How Odd is Odd—and Francesca?

Fresh views of Nerdrum and Woodman A nagging question surrounding the paintings of Odd Nerdrum, on display at Forum Gallery, is:  Can you still paint like that? “Like that,” as if the past 400 years of Western art hadn’t transpired; to put brush to canvas, without irony or affectation, in the style of Rembrandt and...
In Her Own Worlds

In Her Own Worlds

Bharti Kher’s Sculptured Spaces Bharti Kher’s work manages to be big, open and intensely private all at once. Her pieces draw you in; they demand a certain amount of time. The current exhibit at the Hauser & Wirth gallery, The Hot Winds that Blow from the West, contains only a handful of works, but each...
The Steins Collect

The Steins Collect

Matisse, Picasso and the Parisian Avant-Garde Gertrude was the assured and ambitious one; her brother Leo was intellectually brilliant but conflicted. Michael, the sensible brother, managed their money affairs, while his wife Sarah was thoughtful and empathetic—and just possibly the most insightful of all about art. This is the story, as related in the catalog...
From Self to City

From Self to City

Susanna Coffey’s Outward Visions Most gallery-goers will be familiar with Susanna Coffey’s self-portraits—those upward-turning faces, small and closely modeled, set beneath panoramic views. One such painting greets visitors to Coffey’s current exhibition at Steven Harvey Fine Art Projects. The rest of the show, however, concentrates on another, little-known facet of her work: the tiny, nocturnal...
Shake That Body

Shake That Body

Vital Parts Rearranged at MoMA A show to give you nightmares and rip through your subconscious, Exquisite Corpses: Drawing and Disfiguration at MoMA is not so much about decay as rearrangement. The slight misnomer of the title hints at the gothic quality of the 90 paintings, drawings, images, pen-and-inks—you name it—by artists as disparate and...
Iconic Ambassadors

Iconic Ambassadors

Kehinde Wiley’s Cross-Cultural Pageant Kehinde Wiley uses deliberately flamboyant colors. Loud as hip-hop music and just as assertive are the grand claims Wiley makes for the subjects he paints: Young men of, yes, color stand out among the traditional, time-muted tints of the ancient and holy fabrics that frame them in the exhibition The World...
Aluminum Origami

Aluminum Origami

David Rodriguez Caballero Sculpts Nature There is something unbelievably tender about the aluminum in David Rodriguez Caballero’s sculptures, on display for just a few more days at the Marlborough Gallery in Chelsea. The Spain-born artist sands down the metal to give it a soft, flat shine and then folds it like big pieces of origami...
Prints Afloat at Pier Show

Prints Afloat at Pier Show

Asian Woodblock Wonders The well-known Japanese school of art called ukiyo-e, or “floating world” in English, is one theme of TOJ Gallery’s exhibit of woodblock printing at this weekend’s Spring Pier Show. The exhibit will feature works by western artists who floated between two worlds themselves, living and/or working in Asia during the first half...
Keys to the Pier Show

Keys to the Pier Show

Typing Words with Friends This year’s Spring Pier Show, taking place March 17th and 18th from 10 a.m. to 6 p.m. at Pier 94, will offer a flavor of vintage that writers might find particularly palatable: a “type-in” featuring authentic manual typewriters from the 1950s. Kasbah Mod Vintage Typewriters, the company that will exhibit and...
The World of Duncan Phyfe

The World of Duncan Phyfe

Reviving a Life of Craft and Design How to find a real Duncan Phyfe? Knock-offs of his furniture have been floating around for centuries; the cabinetmaker rarely signed his work. Simple. Go to the Metropolitan Museum of Art, the American Wing. Telescoping time backwards, pass the Frank Lloyd Wright rooms on your left (still seems...